It’s become increasingly important to leave behind an image to which no concrete meaning can be attached, only possibility.
– Peter Shear
Peter Shear (n. 1980, Beverly Farms, EUA) vive e trabalha em Bloomington, Indiana.
Suas exposições individuais recentes incluem Voice Leading, Mendes Wood DM, Casa Iramaia, São Paulo (2026); Slipway, Mendes Wood DM, Bruxelas (2026); The Company, Denison University, Granville (2026); A Point Between the Eyes, Mendes Wood DM, Germantown (2025); Accident Report, American Art Catalogues, Nova York (2024); Reality Show, Blum, Los Angeles (2024); Following Sea, Cheim & Read, Nova York (2023); The Cat Came Back, Castle, Los Angeles (2022); Peter Shear: Empty Boat, Koki Arts, Tóquio (2021); Recording, Fortnight Institute, Nova York (2021); Time Stamp, Herron School of Art + Design, Indiana University, Indianapolis (2019).
Exposições coletivas recentes incluem Paracosms, Mendes Wood DM, Nova York (2026); Surface and Signal, Blum, Tóquio (2025); Breath, Art Cake, Brooklyn (2025); Find and Keep: Janine Iversen and Peter Shear, CLEARING, Nova York (2024); The Wrong Tree, dunes.fyi, Portland (2024); The Feminine in Abstract Painting, Milton Resnick and Pat Passlof Foundation, Nova York (2023); Real Life, Ilse D’Hollander in dialogue, Sofie Van de Velde, Antuérpia (2023); Things Seen, Make Room, Los Angeles (2023); A Game for the Living, dunes.fyi, Portland (2023); The Sense of Sight: Landscape, the City, and Abstraction, Make Room, Los Angeles (2023); Regarding Kimber, Cheim & Read, Nova York (2022); Small Paintings, Venus Over Manhattan, Nova York (2022); 10 Year Anniversary Exhibition, Koki Arts, Tóquio (2022); Beyond Genres, Outsider Art Fair, Nova York (2022); Angle of Repose, Poker Flats Gallery, Williamstown (2021); A Wild Note of Longing: Albert Pinkham Ryder and a Century of American Art, New Bedford Whaling Museum, New Bedford (2021); Zwang, C.G. Boerner, Nova York (2020); Adrian, George, Peter, Sofia e Tamina, P420 Arte Contemporanea, Bolonha (2019).
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