Coco Fusco
30 x 40 in
This project extends my long-standing interest in writing as a form of mark-making. For my performance Votos (2000) I wrote biblical phrases about the emotional effects of thought on walls. In my 2017 performance, Words May Not Be Found, I retrieved the testimony of survivors of the 1904 Nambian Genocide and staged a choral reading of them in Germany as a living memorial to the victims. In my 2016 installation, Confidential: Autores Firmantes, I created facsimiles of classified Cuban government correspondence authorizing the censorship of dozens of authors who supported the persecuted Cuban poet Heberto Padilla.
Print culture may be on the wane, but words remain present nearly everywhere we look. I embrace the power of language to create images in our minds.
—Coco Fusco