I was born with my parents’ exile, but my own repeated movement between Sweden and Brazil made me even more sensitive to the distances and proximities between what is understood as South and North. It forced me to rearticulate many aspects of my thinking and provoked an important shift in my work, which can most clearly be seen in relation to questions of representation, geography, memory, and diaspora. The difference is not in the subject matter; these are all topics with which I have been very engaged for a long time, but the change—of my place(s)—also transformed the ways in which I address these issues, the processes through which my works are produced, their materiality. They not only “speak” about geography, our connections to the colonial past, and displacement, but also embody these elements, accentuating a material experience that can carry the complex journey and movement of geopolitics.
– Runo Lagomarsino
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Grève, 2023
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Geometry Is Hope, Geometry Is Fear, 2021
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On fire, 2020
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Mare Nostrum, 2016
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Como si Fuera Piedra la Arena, 2015
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Sea Grammar, 2015
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El Descubrimiento de America (Para Robert Filliou), 2014
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El infinito querido es bien poca cosa, 2013
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Freedom for fire, 2013
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More delicate than the historians’ are the map-makers', 2012-2013
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Two Eggs Cartons (More Delicate Than the Historian’s are the Map-makers Colours, 2012-2013
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In My Dreams Europe is Always Less than a Metre, 2011
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Runo is not a Nation, 2011
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Trans Atlantic Thirty-two, 2010-2011
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ContraTiempos Dia, 2010
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