Art and politics are two separate entities. The only way to be political in art is to consider the way it’s conceived, disseminated, and received by the public. Otherwise, it’s an art object. I’m interested in a world that keeps adding ideas instead of opposing them. – Neïl Beloufa
Neïl is also the founder of Ebb.Global – a creative studio that blends technology and creativity, exploring new paths for transformation, shaping multidisciplinary projects, and empowering communities through cultural innovation.
Rejecting the label of sculptor, or any alignment to a particular set of practices or creative processes, Beloufa works primarily as an editor, constructing scenarios to facilitate intersections between different meanings that viewers might build independently.
Neïl Beloufa (b. 1985, Paris, France) lives and works in Montreuil.
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Flowers EACML02368, 2023
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Mini Flowers B, 2023
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Jalousing people that don’t care about their surroundings, 2022
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Talking about ecological transition in the transportation sector, 2022
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To be titled, 2022
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Chapitre 6, 2021
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Giant Flowers B, 2021
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Chapitre 2, 2020
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Kruppsfant, 2019
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Pink and Yellow towel , 2019
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Red Towel, 2019
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2016 - 2019, 2018
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2012, 2017
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2014 #1, 2017
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2014 #2, 2017
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Máquina de lavar, 2017
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Tuny, 2017
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Vaso, 2017
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Love Bench, 2016
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Chutes, 2015
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The Office, 2015
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90º degrees, sports car bar, série Secured wall, 2014
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A wall, 2014
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Belief, definition, architect, puzzled bliss, 2014
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Fire Hairs, Missed date and great expectations in a park, her curves, 2014
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Happiness bleecher, communities, growing up and consumption, 2014
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horizontal usb knight, work out, macho dream of a wedding, his length, 2014
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Maya in SP, the effect; the cause and the fall, 2014
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Three small lighters, série Vintage, 2014
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