French-born artist Julien Creuzet intertwines practices as a visual artist and poet through amalgams of sculpture, film, installation, and textual intervention. Describing Martinique, where the artist spent formative childhood years, as “the heart of my imagination,” Creuzet often addresses diasporic cultural experiences and post-colonial exchanges. Drawing from influences such as the poetic and philosophical reflections of Aimé Césaire and Édouard Glissant, Creuzet’s intellectual engagement with origins and alterity bridges celebratory, emancipatory, and critical expressions at the intersection of Caribbean history and European modernity.
Julien Creuzet (b. 1986 in Le Blanc-Mesnil, France) lives and works in Montreuil.
The artist has recently exhibited at Brown University, Providence (2025) and Virginia Commonwealth University, Richmond (2025). Creuzet represented France at the 60th Biennale di Venezia, Venice (2024).The artist’s works have been presented at major institutions such as LUMA Westbau, Zurich (2023); LUMA, Arles (2022); Camden Art Centre, London (2022); Centre Pompidou, Paris (2022); Palais de Tokyo, Paris (2019); CAN Centre d’Art Neuchâtel, Neuchâtel (2019); Fondation d’Entreprise Ricard, Paris (2018); and Bétonsalon, Paris (2018), among others.
Creuzet has participated in numerous prominent group exhibitions, including the 35th Bienal de São Paulo, Salvador (2024) and São Paulo (2023); Performa Biennial, New York (2023); 12th Liverpool Biennial, Liverpool (2023); Museum of Contemporary Art Chicago, Chicago (2023); Musée Tinguely, Basel (2022); National Gallery of Prague (2022); Center for the Arts at Wesleyan University, Middletown (2021); Museum für Moderne Kunst – MMK, Frankfurt am Main (2020); Manifesta 13, Marseille (2020); Musée d’Art Moderne de Paris, Paris (2019); Kampala Biennale, Kampala (2018); and Gwangju Biennale, Gwangju (2018). Creuzet’s works are included in notable collections such as Centre Pompidou, Paris; Centre national des arts plastiques, Paris; MMK Museum, Frankfurt; Yale University Art Gallery, New Haven; Fondation Villa Datris, L’Isle-sur-la-Sorgue; Fondation d’Entreprise Galeries Lafayette, Paris; Fonds d’art Contemporain, Paris; FRAC Fonds régionaux d’art contemporain, Bourgogne, Champagne-Ardenne; Grand Large, Île-de-France; Méca, Pays de la Loire; Carré d’Art-Musée d’art contemporain, Nîmes; KADIST Foundation, Paris; and CCS Bard Hessel Museum of Art, Annandale-on-Hudson, among others.
The artist is currently a Chef d’atelier at the Beaux-Arts de Paris. Creuzet has received numerous accolades, including the Etants Donnés Prize in 2022, the BMW Art Journey Award in 2021, and the Camden Arts Centre Emerging Artist Prize at Frieze in 2019. In 2021, he was also nominated for the prestigious Marcel Duchamp Prize.
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Attila cataracte, ta source aux pieds, des pitons verts, finira dans la grande mer, gouffre bleu, nous nous noyâmes, dans les larmes marées, de la lune, Corps Aquatique, Anse Baleine, coquillage, Ranella Olearia, 2024 -
Attila cataracte, ta source aux pieds, des pitons verts, finira dans la grande mer, gouffre bleu, nous nous noyâmes, dans les larmes marées, de la lune, Door Knocker & Moretto, Étoile de mer, 2024
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Attila cataracte, ta source aux pieds, des pitons verts, finira dans la grande mer, gouffre bleu, nous nous noyâmes, dans les larmes marées, de la lune, Door Knocker & Moretto, la Fontaine de Neptune, 2024
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Attila cataracte, ta source aux pieds, des pitons verts, finira dans la grande mer, gouffre bleu, nous nous noyâmes, dans les larmes marées, de la lune, Door Knocker & Moretto, Neptune, Triton and B I G, 2024
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Attila cataracte, ta source aux pieds, des pitons verts, finira dans la grande mer, gouffre bleu, nous nous noyâmes, dans les larmes marées, de la lune, Door Knocker, & Moretto, Lamentin, 2024
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Attila cataracte, ta source aux pieds, des pitons verts, finira dans la grande mer, gouffre bleu, nous nous noyâmes, dans les larmes marées, de la lune, feuilles de Balisier (peinture, coquillage), le Morne-Vert, 2024
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Attila cataracte, ta source aux pieds, des pitons verts, finira dans la grande mer, gouffre bleu, nous nous noyâmes, dans les larmes marées, de la lune, feuilles de Balisier, rivière Falaise, 2024
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Attila cataracte, ta source aux pieds, des pitons verts, finira dans la grande mer, gouffre bleu, nous nous noyâmes, dans les larmes marées, de la lune, Shékéré, clef double, cloches, perles bleues, 2024
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last time and big evening and if we say goodbye to the trauma nightmare. one last time under the headlights on the big night, the big jump, we said see you tomorrow under other skies, in the air before contact with the sea, we loved each other. (dernière , 2023
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lower courtyard of the sea, farmyard so much similarity when the sacred water of life is offered to the sweating gods we should never have said it, before sunset, before our round bellies buoyed not the ounce of a flotation, we sank sunk, the life (le sol, 2023
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slow patience, tired tenderness path under the milky voice, we waited for each other left hand in right hand what should we wait in the hollow of the palm (mon ami Wifredo), 2023
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we've slept so much, sweated so much in the sea, drawing of the masculine part of a pair of Edan, badges of belonging to the Ogboni cult society for Yoruba people. Nigeria. Brass. 19th or 20th century, sweated so much in the sea, drawing of two sails of a, 2023
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La Carie (en grec ancien Kapia / Karia) est une région historique du Sud-Ouest de l'Asie mineure, située entre la Lycie à l'est, la Pisidie au nord-est, la Lydie au nord et la mer Égée au sud-ouest. Elle correspond à l'actuelle région de Bodrum au sud-oue, 2021
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Les Moracées se présentent le plus souvent sous la forme d'arbres ou d'arbustes, mais on peut aussi rencontrer des lianes ou même des plantes herbacées. La synapomorphie de cette famille est la présence de latex dans les tissus (parenchyme ou collenchyme), 2021
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