Art gives me the possibility to move on with each attempt, to straighten out doubts in order to create new ones. In those depths, I find myself, digging in. To me, this is what it means to be an artist, having the luxury of uncertainty towards ourselves, and therefore towards others. – Guglielmo Castelli
His recent solo shows include Improving songs for anxious children, at Fondazione Bevilacqua La Masa, Venice, Italy (2024); Show | Guglielmo Castelli - Art Club #38, Villa Medici, Rome, Italy (2024); A Lover's Discourse, Aspen Museum, Aspen, CO, USA (2023); Demonios Familiares, Mendes Wood DM, New York, NY, USA (2023); The Cabin LA Presents: A Curated Flashback, Green Family Art Foundation, Dallas, TX, USA (2023); Calm act in closed room, Mendes Wood DM, Brussels, Belgium (2021); Ornate Impotence, The Cabin, Los Angeles, CA, USA (2020); Sia inteso come tutto ciò che non pesa, Fondazione Coppola, Vicenza, Italy (2019); Goodmorning Bambino, KünstlerhausBethanien, Berlin, Germany (2018).
His work was featured in several institutional presentations including Pittura Italiana Oggi, Triennale Milano, Milan, Italy (2023); mutanti, sotto un cielo che implode, OGR Torino, Turin, Italy (2023); Diario Notturno, Maxxi L'Aquila, L'Aquila, Italy (2023); Expressioni, Castello di Rivoli Museo d’Arte Contemporanea, Rivoli, Italy (2022); the 17a Quadriennale di Roma, Rome, Italy(2020); Stasi Frenetica, GAM, Turin, Italy (2020); the Biennale Internazionale d’Art Contemporain de Melle (2018); Challenging Beauty, Parkview Museum, Singapore (2018); Recto/ Verso 2, Foundation Louis Vuitton, Paris, France (2018); Intriguing Uncertainties, Museum Of Contemporary Art of Saint-Étienne, Saint-Étienne, France (2016); Lo sguardo delle gallerie sulla grande arte italiana, Pinacoteca Nazionale di Bologna, Bologna, Italy (2016).
Castelli’s work is part of the collections of Blenheim Art Foundation, Oxfordshire, UK; By Art Matters Museum, Hangzhou, China; Fondazione Sandretto Re Rebaudengo, Turin, Italy; He Art Museum, Foshan, China; Long Museum, Stony Brook, New York, NY, USA; Marciano Art Foundation, Los Angeles, CA, USA; Ostillo Collection, Austin, TX, USA; Samdani Art Foundation, Dhaka, Bangladesh; the Blenheim Art Foundation, Woodstock, UK; the Castello di Rivoli Museum d’Arte Contemporanea, Rivoli, Italy; The George Economou Collection, Marousi, Greece; and Yuz Museum, Shanghai, China.
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Lacrimal apparatus, 2024
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Inside the whale or maybe an apple, 2024
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Metamorphosis, 2024
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Sweet Vulcano, 2024
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The invented truth, 2024
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A house is not a home, 2023
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polluting the reasoning of the room and the rules, 2023
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a little fable, 2023
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Ato Idiota, 2023
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Bluberries, 2023
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I’ve seen better days, dripping down your face, 2023
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The involuntary confessions, 2023
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tripletta1, 2023
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"we can’t hear own impatience",, 2022
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Gerico, 2022
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Lay itself open, 2022
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noland, 2022
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The closet of the parents, 2022
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The fear of a shipwreck, 2022
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Truth diminishes and illusion increases, 2022
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The conjugation of nothing, 2021
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Gli inizi che non coincidono con le storie, 2018
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Near to dark black, 2018
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If Opened People Should Find Landscapes
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