Rossetti’s work outlines the implications of feverishly looking at, studying, and absorbing painting, while retracing the imprint it makes consciously and subconsciously on his production. – Mousse Magazine
Giangiacomo Rossetti (n. 1989, Milão, Itália) vive e trabalha em Nova York.
Rossetti frequentou a Academia Belle Arti di Brera em Milão e em 2019 se formou no Die Institut Kunst FHNW em Basel. Archipelago, Nova York (2025); Greene Naftali, Nova York (2024); Galleria Federico Vavassori, Milão (2024 e 2021); The Power Station, Dallas (2023); Mendes Wood DM, São Paulo (2022); Fiorucci Art Trust, Londres (2021); Greene Naftali, Nova York (2020); Mendes Wood DM, Bruxelas (2019); Riverside, Berna (2018); Federico Vavassori, Milão (2017); Warm, São Paulo (2016).
His work has been featured in group exhibtions at Mendes Wood DM at d’Ouwe Kerke, Retranchement (2024, 2023 and 2020); Castello di Rivoli, Rivoli (2022); David Zwirner, Nova York (2022); Jeffrey Deitch, Los Angeles (2022); Fondazione CRC, Cuneo (2021); Aspen Art Museum, Aspen (2020); Museum Dhondt-Dhaenens, Ghent (2020); Modern Art, Londres (2020); Greene Naftali Gallery, Nova York (2019); Mendes Wood DM, Bruxelas (2018); Galleria Federico Vavassori, Milão (2018).
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Being of unsure mind and shaky morals he betook himself to be first a butterfly, 2022
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Cake (is for having), 2022
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Echoes of some past moons, 2022
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Everyone has their own strange ideas, 2022
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Merry Christmas Jingle Bells Christ is Born and The Devil is in Hell, 2022
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Mysteries of America, 2022
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The American Friend, 2022
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The gift, 2022
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Variations in Pink and Blue, 2022
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Doppio ritratto nel comodino, 2021
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Piccolo alfabeto, 2021
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Through a thin wall, 2021
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Fantasia n.9 - la casa dagli spiriti buoni, 2020
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Al dio ortopedico (Fort Greene park), 2019
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Crepuscular Harvest, 2019
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Go on give it to the madman! He went mad because he ate the brains of cats like a wolf!, 2019
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Group C, Bones of the Men, 2019
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Group F, Bones of the Men, 2019
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Right to Insolvency, 2019
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The Magician, 2019
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The Moon Under the Earth or Love Through the Eyes of Communism, 2019
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Untitled after Balla’s Scena spirituale, uomo e donna nel fluido compenetrato di luce, 2018
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Primavera, 2017
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Still life with clementine and two devils, 2017
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