Leah Ke Yi Zheng
Untitled (window), 2024
acrylic on silk over cherry wood stretcher
127 x 118 x 6 cm
50 x 46 1/2 x 2 3/8 in
50 x 46 1/2 x 2 3/8 in
'Possibilities at the edges; possibilities to what defines a painting. Solidified drips, transparent drips, directing how a mark dry: these become orchestrated drips. Transcendence inherent at the edge of possibilities....
"Possibilities at the edges; possibilities to what defines a painting.
Solidified drips, transparent drips, directing how a mark dry: these become orchestrated
drips. Transcendence inherent at the edge of possibilities.
Walls are made for paintings. Windows are secondary, taking the secondary wall to its
prime, bringing the margin toward the center.
Seeing a painting from the back, naked, skeletal, an exposure to the structure brings
revelation. Painted from both sides - changing presence." Leah Ke Yi Zheng
Solidified drips, transparent drips, directing how a mark dry: these become orchestrated
drips. Transcendence inherent at the edge of possibilities.
Walls are made for paintings. Windows are secondary, taking the secondary wall to its
prime, bringing the margin toward the center.
Seeing a painting from the back, naked, skeletal, an exposure to the structure brings
revelation. Painted from both sides - changing presence." Leah Ke Yi Zheng