Fatebe is a solution to a problem. The circumstances she finds herself in are the quandaries that she has to face. There’s a word in Russian that means victim, prey, and sacrifice all at once, and that is the role into which she is cast and that she always manages to slip out of. This performance, this slippage through the challenges I constantly make for her, is what interests me and pushes the search for new scenarios.
– Ebecho Muslimova
Ebecho Muslimova, born in Russia in 1984 and based between New York and Mexico city, is a painter whose work is dedicated to the representation of her alter ego ‘Fatebe’. Fatebe challenges notions around identity, the body, and its representation. Fatebe embodies a transgressive and unflinching exploration of the human form, navigating through themes of anxiety, pleasure, and absurdity. Muslimova’s painting style teases virtuosity as it is confronted with both drawn and graphic elements, making her work at once humorous and serious.
Since Graduating from the Cooper Union in 2010, Muslimova has since continued to exaggerate the human form in Fatebe, to achieve an unapologetic embodiment of shamelessness. Her distinctive features (including abstract depictions of the body’s orifices) emerge not as acts of provocation, but as an invitation to rethink how we view the active, uninhibited body. Her genitalia, rendered in cartoonish detail, are not shocking for shock’s sake, but reflect a liberated view of sexuality.
Much of Muslimova’s work plays with the tensions between bodily freedom and the discomfort it often generates in the viewer. Whether depicted in her ink drawings or graphically rendered paintings, Fatebe exists in a world where humiliation, playfulness, and resilience coexist. These images resist clear categorization, with Fatebe often caught in paradoxical scenarios that highlight both the ridiculousness of life and art, and the challenges of emotional and physical survival.
Muslimova’s exploration of space and scale became more pronounced after 2017, as she began to incorporate larger, more complex painted environments that blurred the line between drawing and installation. These works invite comparisons to artists like Bruce Nauman, Keith Haring or Roy Lichtenstein.
Ebecho Muslimova (b.1984, Dagestan, Russia) lives and works between Mexico City and New York.
Muslimova received her BFA at Cooper Union in New York, NY in 2010. Muslimova has presented solo exhibitions at Mendes Wood DM, Sao Paulo; Magenta Plains, New York; Drawing Center, New York; David Zwirner Gallery, London; Galerie Maria Bernheim, Zurich; White Flag Projects, St. Louis and Room East, New York.
Her work has been included in group exhibitions at Kunstmuseum Basel, Basel; ICA Miami, Miami; Renaissance Society, Chicago; Zuzeum, Riga; Hirshhorn Museum, Washington, D.C; Swiss Institute, New York; Kunsthalle St. Gallen, St. Gallen. Her large-scale murals have been commissioned for biennials such as The Dreamers, 58th Edition of October Salon, Belgrade, and the 32nd Biennale of Graphic Arts: Birth as Criterion, Ljubljana, Slovenia. In 2022, Muslimova was the recipient of the Borlem Prize, honoring artists whose oeuvres bring awareness to mental health issues & struggles.
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