Giving form to a thought– whether in writing, painting, or another medium– can change our mind. Only once we attempt to articulate an idea can we actually see it. Otherwise, it remains abstract. – Iulia Nistor
In her painting practice, Nistor explores the differences between language and image. A question that has preoccupied her over the past decade is whether the depiction of accidental properties is possible. The paintings that emerged from this inquiry are both a study of perception and a dedication to what is usually excluded, overlooked, or ignored in concept formation. In the recent Revision series, Nistor paints fragments of handwritten notes marked with corrections. Writing is treated as drawing, and although it resembles spontaneous traces, it is rendered visible only through the sanding of the painting’s surface. For her, both writing and painting are practices of questioning and doubt. Nistor's spatial interventions extend these concerns into literal space. By mimicking architectural, material, or functional elements that tend to be overlooked as structural components of a space, these interventions expose our assumptions about what is given and what is made. Like anti-readymades, concealed rather than made more conspicuous by their context, these works are not indicated on gallery floor plans or lists of works, and the presence of other artworks further deflects viewers’ attention away from them. These works are manifestations of mischievous humor as well as acknowledgments that, as much as artworks determine our perception of them, we construct their reality in our minds.
Iulia Nistor (b. 1985, Bucharest, Romania) lives and works in Berlin and São Paulo.
Nistor is an artist and philosopher working in the philosophy of mind. She holds a Doctorate in Philosophy from the University of Regensburg, Germany, received a Meisterschüler from the Städelschule in Frankfurt am Main, and participated in the Whitney Independent Study Program.
The artist’s recent solo exhibitions include paintings and propositions, Plan B, Berlin (2024); properties without object, Mendes Wood DM, New York (2023); Revenge of the Given, Plan B, Berlin (2019); Two Forward, Three Back, Mendes Wood DM, Brussels (2019).
Nistor’s recent group exhibitions include Prototype, Whitney Museum of American Art / Westbeth Gallery, New York (2025); IT’S NO CRIME TO TICKLE TIME: 20 Years of Plan B, Plan B, Berlin (2025); Hocus Focus, Conector / Off-space, Cluj-Napoca (2025); Pictorial Resonance, Thomas Schulte, Berlin (2024); Linhas Tortas, Mendes Wood DM, São Paulo (2023); BETAMAX, Galleri Nils Staerk, Copenhagen (2022); Living together – Crossing borders, 4th Mediterranean Biennial, Sakhnin (2021); Secret Wing, Art Encounters Biennale, Timișoara (2021); EnormousBalls, Mendes Wood DM, Brussels (2020); Rethinking the Image of the World / Projects and Sketches, Ianchelevichi Museum, La Louvière (2019); After Rubens, Städel Museum, Frankfurt am Main (2018).
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