My relationship with the investigation process is intense as all I have in the beginning is a clue. I need to be immersed in the subject that interests me in order to find a map that can lead me to a formal synthesis. In the artworks, this is added to technical reinterpretation. The medium is also part of the investigation as it leads to the aesthetic tools that will be used to build an image.
– Leticia Ramos
Leticia Ramos explores the limits of the production and exegesis of analog images through photographic and film works, which she also develops into installations, objects, publications, and performances. Her practice is directed toward the aesthetic intersections between the documental and the fictional, occurring between natural and imaginary landscapes, between the discourses of historical records and those of invented characters, while simultaneously exploring the relationship between graphical memory and the nature of the abstract and spectral.
Using rigorous technical and formal procedures as a point of departure, the artist emulates aspects of scientific expeditions toguide us along ambiguous and atemporal objects and themes. In this sense, she builds inventive photographic apparatuses – such as cameras, models, and sets – to think about the use of these devices as elements of the speculation, representation, and production of geographic and poetic terrains.
Leticia Ramos (b. 1976, Santo Antônio da Patrulha, Brazil) lives and works in São Paulo.
Recent solo and two-person shows include: Galáxias, Mendes Wood DM, Brussels (2024); Campo Magnético, School of Arts, Portuguese Catholic University (PUC), Porto (2024); Ruído, Mendes Wood DM, São Paulo (2022); NULL ISLAND, Jeu de Paume, Paris (2020); Resilience and Reverberation, Mendes Wood DM, New York (2019); História Universal dos Terremotos, Pivô, São Paulo (2018); História Universal dos Terremotos, Fundación Botín, Santander (2017); Planisphere, Mendes Wood DM, São Paulo (2017).
Additionally, she has participated in group exhibitions such as Linhas Tortas, Mendes Wood DM, São Paulo (2023); Between our knots: Ten years of ZUM, Pivô, São Paulo (2023); Enormousballs, Mendes Wood DM, Brussels (2020); O Triângulo Atlântico, 11th Bienal do Mercosul, Porto Alegre (2018); Biennale Jogja XII, Jogja (2017); corpoacorpo, Instituto Moreira Salles, São Paulo (2017); Hercule Florence: Le nouveau Robinson, Nouveau Musée National Monaco, Villa Paloma (2017); 18th Festival de Arte Contemporânea SESC Videobrasil – Panoramas do Sul, SESC Pompéia, São Paulo (2013); Expo Projeção 1973-2013, SESC Pinheiros, São Paulo (2013); Se o clima for favorável/Weather permitting... 9th Bienal do Mercosul, Porto Alegre (2013); Programa de Fotografia, Centro Cultural São Paulo, São Paulo (2012); Trilhas doDesejo, Rumos Artes Visuais, Itaú Cultural, São Paulo (2009).
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