"In Pé Vermei, the artist walks through the streets of Belo Horizonte with his feet painted in red, referring to the term used to name the rural man and his daily contact with the land - maintainer of his sustenance and food. In this way, Nazareth, while walking in the "city", insists on the affirmation of the body of the countryman in this urbanized space as an act of resistance of the simple man and the cities sprawl and the consequent erasure of possibilities imposed by this supposed progress.