Mônica Sartori's artistic lines eloquently exemplify a facet of Brazilian art characterized by its emancipation from traditional constraints and the gravitational pull of historical lineage. Executed with a tactile sensuality of execution and emancipated from the conventions of constructivist dogma, her works reside at the confluence of linearity yet are perpetually transcended by the artist's perpetual equilibrium. This equilibrium is permanently maintained without compromising her adherence to ethical and aesthetic precepts.
The poet Alécio Cunha, in his musings from 2007, offers a retrospective insight into the developing phase of Sartori's oeuvre. He reflects, "At its inception, the potential for chaos might have loomed. However, the artistry swiftly revealed itself to be opposed to entropy. With enthusiasm, propelled by her gestures' prolific and enchanting force, she discerned that mastery over this potential discord was feasible. She embraced it, harmoniously orchestrating its structural manifestation, thereby channeling her unique prism for perceiving and assimilating the universe."
This glimpse into Sartori's artistic genesis underscores her deft command of form and her adept navigation of an abstract realm where artistic expression becomes an articulation of equilibrium and order amid the inherent complexity of creative endeavors.