Iulia Nistor's monotypes result from her working process on the paintings on wood, made with a method that consists of overlapping various layers of paint and repeatedly removing them with paper pressings and sandpaper. The negotiation between informing and discharging the image and the constant observation process create a sensual field from which the artist distills signifying gestures and forms. These works are almost like a ghost of Nistor's paintings. The artist is interested in investigating those moments of uncertainty because these usually indicate a contradiction or rupture between what is expected and what is perceived in a given situation.