All About the Animal Maaike Schoorel
Past exhibition
Overview
Mendes Wood DM São Paulo is pleased to present Maaike Schoorel’s second exhibition in Brazil. All about the animal brings together recent paintings which reflect on nature and illusion through light.
Schoorel begins her paintings through photographing landscapes, diluting the shapes found in her images into layers of light. Pandas, dogs, and unicorns emerge from layers of hazy pastel colored strokes, almost as if mythologized by the artist. Her paintings depict simple moments such as the movement of water on a lake or wind rustling a tree—a camouflage of the Anthropocene's gaze at unconventional bodies and beings.
Schoorel's work contemplates the superficiality of human life, provoking an ambivalence between nature and its artificial construction. Everyday life manifests itself in painting as a tool for looking; Schoorel's spectral forms evoke a sense of spirituality, giving depth to her animals' existence.
To decode the subjects concealed in Schoorel’s brushwork, her audience must adopt a slower approach to looking that allows space to combine visual perception with the imagination. Descriptive titles seem to mislead the viewer, who is initially confronted with an illusion of abstraction whose contents hover in a melée of colors. Schoorel’s paintings ask that we remain present within the experience of looking and understanding - resisting the need for immediate image-gratification that prevails within the circulation of images we encounter day-to-day.
What is eventually presented through this sustained contemplation is neither the immediacy of the photographic snapshot nor the restaged scene's labor. Instead, Schoorel’s work gives space for her subjects to reveal themselves and to be reinterpreted by the viewer.
Schoorel begins her paintings through photographing landscapes, diluting the shapes found in her images into layers of light. Pandas, dogs, and unicorns emerge from layers of hazy pastel colored strokes, almost as if mythologized by the artist. Her paintings depict simple moments such as the movement of water on a lake or wind rustling a tree—a camouflage of the Anthropocene's gaze at unconventional bodies and beings.
Schoorel's work contemplates the superficiality of human life, provoking an ambivalence between nature and its artificial construction. Everyday life manifests itself in painting as a tool for looking; Schoorel's spectral forms evoke a sense of spirituality, giving depth to her animals' existence.
To decode the subjects concealed in Schoorel’s brushwork, her audience must adopt a slower approach to looking that allows space to combine visual perception with the imagination. Descriptive titles seem to mislead the viewer, who is initially confronted with an illusion of abstraction whose contents hover in a melée of colors. Schoorel’s paintings ask that we remain present within the experience of looking and understanding - resisting the need for immediate image-gratification that prevails within the circulation of images we encounter day-to-day.
What is eventually presented through this sustained contemplation is neither the immediacy of the photographic snapshot nor the restaged scene's labor. Instead, Schoorel’s work gives space for her subjects to reveal themselves and to be reinterpreted by the viewer.
Works
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Maaike Schoorel, Pink Museum Bird, 2021
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Maaike Schoorel, Sambal en cake (Hot Sauce and Cake), 2020 - 2021
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Maaike Schoorel, Ceridwen, 2020 - 2021
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Maaike Schoorel, Museum Birds, 2020 - 2021
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Maaike Schoorel, small pink /green bird, 2021
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Maaike Schoorel, Pistils and Stamens, 2020
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Maaike Schoorel, Resource Image - Eenhoorn (Unicorn), 2021
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Maaike Schoorel, Fabeldier (Fable Animal), 2020 - 2021
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Maaike Schoorel, Panda in the Studio, 2020
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Maaike Schoorel, Still life with orange bunting, 2020 - 2021
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Maaike Schoorel, Eenhoorn (Unicorn), 2019 - 2021
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Maaike Schoorel, Blue Horse, 2020 - 2021
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Maaike Schoorel, Bathing Dogs, 2020 - 2021
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Maaike Schoorel, Olympia Wolf, 2020 - 2021
Installation Views