Cristalino Segredo Paula Siebra
Past exhibition
Overview
Mendes Wood DM is proud to present Cristalino Segredo, a solo exhibition by Brazilian artist Paula Siebra in the gallery’s Brussels space. This is the first opportunity for European audiences to experience the artist’s work following her residency and exhibition in Bruges, Belgium, in 2021.
Taking over the entirety of the gallery space with more than 20 paintings, this exhibition presents the most complete overview of Siebra’s work to date, bringing together three years of artistic research on a vast canon of subject matter – landscapes, portraits and still life. Moreover, the artist will present large scale paintings for the first time, to hang alongside the signature smaller scale, intimate works that she is best known for.
Saturated in the balmy light and atmosphere of Siebra’s hometown of Fortaleza, in Brazil’s northeastern state of Ceará, her paintings are at simultaneously intensely geo-specific, steeped in the culture, life and color of that part of the world, and mysteriously atemporal, somehow magically suspended from any notion of time and place.
This bewitching effect is achieved by what the artist defines as “the poetics of composition”. Mundane, everyday scenes – rooted in Northeastern Brazilian culture and light – are imbued with a metaphysical quality that finds resonance in the work of the Italian 20th-century painter Giorgio Morandi, whom Siebra greatly admires. Table arrangements, interiors, portraits and the simple architectures of local buildings seem embalmed by a magical stillness which, coupled with meticulously built compositions and perspectives, and slightly muted but nonetheless vibrant colorpalettes, contain a sense of magic that is hard to define but magnetic to look at. Symbolism is only suggested, never forced, but ever-present.
This complex exercise makes it possible for viewers who are not familiar with the artist’s hometown to still find points of entry and interest in a subject matter that is entirely not their own. “The whole point of painting is to cause empathy,” Siebra says, “you can see a whole world in a painting.”
The exhibition will also include a 20-minute documentary made by the artist on the region’s famous artisan tradition of “silicogravura”, the art of using different types of colored sand, meticulously layered into glass bottles, to create complex compositions. Not only does this reflect Siebra’s interest in the traditional craft of her region, but it also informs and inspires much of the color palettes that she uses to compose her mysterious tropical landscapes.
Taking over the entirety of the gallery space with more than 20 paintings, this exhibition presents the most complete overview of Siebra’s work to date, bringing together three years of artistic research on a vast canon of subject matter – landscapes, portraits and still life. Moreover, the artist will present large scale paintings for the first time, to hang alongside the signature smaller scale, intimate works that she is best known for.
Saturated in the balmy light and atmosphere of Siebra’s hometown of Fortaleza, in Brazil’s northeastern state of Ceará, her paintings are at simultaneously intensely geo-specific, steeped in the culture, life and color of that part of the world, and mysteriously atemporal, somehow magically suspended from any notion of time and place.
This bewitching effect is achieved by what the artist defines as “the poetics of composition”. Mundane, everyday scenes – rooted in Northeastern Brazilian culture and light – are imbued with a metaphysical quality that finds resonance in the work of the Italian 20th-century painter Giorgio Morandi, whom Siebra greatly admires. Table arrangements, interiors, portraits and the simple architectures of local buildings seem embalmed by a magical stillness which, coupled with meticulously built compositions and perspectives, and slightly muted but nonetheless vibrant colorpalettes, contain a sense of magic that is hard to define but magnetic to look at. Symbolism is only suggested, never forced, but ever-present.
This complex exercise makes it possible for viewers who are not familiar with the artist’s hometown to still find points of entry and interest in a subject matter that is entirely not their own. “The whole point of painting is to cause empathy,” Siebra says, “you can see a whole world in a painting.”
The exhibition will also include a 20-minute documentary made by the artist on the region’s famous artisan tradition of “silicogravura”, the art of using different types of colored sand, meticulously layered into glass bottles, to create complex compositions. Not only does this reflect Siebra’s interest in the traditional craft of her region, but it also informs and inspires much of the color palettes that she uses to compose her mysterious tropical landscapes.
Works
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Paula Siebra, Casa, ruina e cisterna, 2021
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Paula Siebra, Bandeja com maçã e faca, 2022
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Paula Siebra, Filtro de Louça, 2023
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Paula Siebra, Um rio, 2023
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Paula Siebra, Ruína sobre uma duna, 2023
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Paula Siebra, Pôr-do-sol, 2023
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Paula Siebra, Jangada e coqueiros, 2023
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Paula Siebra, Mulher se depilando, 2023
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Paula Siebra, Mesa posta, 2023
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Paula Siebra, Farol do beberibe, 2023
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Paula Siebra, O sapato preferido, 2023
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Paula Siebra, Pitangueira, 2023
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Paula Siebra, Almoço, 2023
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Paula Siebra, Pierrot, 2023
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Paula Siebra, Lua na lagoa, 2023
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Paula Siebra, O birô vermelho, 2023
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Paula Siebra, Jogo de bila, 2023
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Paula Siebra, Fogão, 2023
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Paula Siebra, Casa no mangue, 2023
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Paula Siebra, Bosque, 2023
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Paula Siebra, Um prédio, 2023
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Paula Siebra, Menina descascando uma parede, 2023
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Paula Siebra, Fonte, 2023
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Paula Siebra, Menina lendo, 2023
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Paula Siebra, Quarto, 2023
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Paula Siebra, Forró, 2023
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Paula Siebra, Banho de bica, 2021
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Paula Siebra, Menina tirando a sorte, 2023
Installation Views