Quentin Sietzen
Ears Have No Eyelids, 2025
pigment suspension on prepared aluminium panel
34 x 93 cm
13 3/8 x 36 5/8 in
13 3/8 x 36 5/8 in
Composed through sedimented research and formal cross-referencing, these works resist synthesis and instead foster open-endedness, allowing forms and ideas to slip into renewed, personal interpretations. On the occasion of Artists...
Composed through sedimented research and formal cross-referencing, these works resist synthesis and instead foster open-endedness, allowing forms and ideas to slip into renewed, personal interpretations. On the occasion of Artists Who Wear Jewelry, he will be showing two new paintings on aluminum panels in which he has coalesced narratives relating to acoustic obsession, the fragile architectures we build to either amplify or shield against sonic intrusion, tracing how sound unsettles the boundary between inside and outside.