Lagomarsino's Mapa Mundi delves into the realm of geopolitics and the inexorable march of time, effectively employing a medium as unique as burned parchment paper to reconstruct the very notion of a utopian integrated world. In doing so, he adeptly intertwines multifaceted layers of thought.
At its core, Lagomarsino's interest in geopolitics is an exploration of the intricate tapestry that binds global dynamics. His choice of utilizing burned parchment paper serves as a metaphorical vessel, embodying the fragility and ephemeral nature of diplomatic agreements, international relations, and the cyclical nature of historical progress. This technique also encapsulates the paradox of destruction and creation, underscoring how the forging of a better world often necessitates the dismantling of old structures.
Simultaneously, his work delves into the fluidity of time, a theme that's as elusive as it is central to human existence. The juxtaposition of the aged, charred parchment with his vision of a utopian world draws attention to the inevitable passage of time, wherein the present becomes the past with every passing moment. Lagomarsino invites contemplation on the transience of human ambitions and the fleeting nature of societal constructs. Through this, he emphasizes the importance of understanding the past to chart informed paths for the future.
Furthermore, Lagomarsino's unique amalgamation of autobiographical elements with broader social and political commentary reinforces the interconnectedness of individual experiences with the collective narrative. This synthesis evokes a sense of relatability that bridges personal stories with larger historical currents. It is a call to recognize that the "I" is inextricably tied to the "we."
Central to his practice is the subversive manipulation of language and symbols. He orchestrates these tools with surgical precision, directing attention to the power structures that govern society. In doing so, he empowers viewers to confront and interrogate the implications of these symbols, encouraging them to envision divergent futures. Lagomarsino's intention is not to merely critique, but to spark proactive contemplation—inviting viewers to imagine the realm of the possible, the realm of the probable, and the realm of the desirable.
In essence, Lagomarsino's artistic pursuit transcends the conventional boundaries of time, medium, and meaning. Through the medium of burned parchment paper, he masterfully weaves together a tapestry that speaks to the intersection of geopolitics, human temporality, and the potential for societal metamorphosis. His work serves as a mirror reflecting the intricacies of history in the present, inviting us to gaze deeply into its complexities and emerge with a renewed sense of agency and awareness.