The protagonism of mythical creatures, art history and icons, is replaced by domestic situations in works such as Cenas de casa, In addition to the blatant reference to still lives, the work presents a few tonal variations in its background. Returning to the idea of the double, In its composition, the artist balances two types of formal representations; on the one hand, he paints poppies informed by more with technical prowess, and on the other, pressed against the background, flowers without the same formal aspect share the scene with other household objects.