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Francesco João, Knife in the flesh - Contemporary Brazilian Art, Pac - Padiglione d'Arte Contemporanea, Milan, 2018
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Francesco Joao的手法沉溺於繪畫方式的矛盾狀態,強調了即時性和介質過度複雜性之間的二元性。沉浸在持續變換、高度演化的再配置循環中,繪畫介質通過歷史合法性以及對於數字領域堅持使用的快速傳播圖像的對抗,不斷地確認其材料。

特定手勢繪畫的複雜性在Joao的作品中得到了反映,其中圖像是通過使用並列層的複雜模式產生的。此類模式通過減法令形態顯現。Joao深入研究畫布的標準可觸摸性,其手势運用的目的在於製作可發揮創意功能的圖像。繪畫的直觀性——也就是其純真性——Francesco Joao的作品所依據的實際核心。換言之,他在傳遞意義時並不受限於太多形式障礙,同時在研究媒介自身的本質時也具有自我意識。

藝術家在過去幾年中製作的畫布包括對於視覺語言的精心設計,這種視覺語言在其感官愉悅性和原始性方面具有破壞力。漸變的調色板和夢幻般的紋理隱約洩露出逃避主義、被遺忘的地平線以及和奧妙星系的秘密,其一層又一層的水粉能經受觀眾的長久凝視。在João的作品中,神秘和實用的融合是有形的,因為它是簡單、直接的場景與通常操控其繪畫線性度的額外複雜性的結合。這種雙重性觸發了Joao作品中隱藏的田園詩般的神秘感——面對用生帆布包裹的大畫板時,一種空靈的迷戀感。

Francesco João(1987年生於米蘭)在聖保羅生活并工作。
他的展覽包括Donkey Man,Mendes Wood DM,聖保羅(2017);Everything tends to ascend.Or not.,Pivô,聖保羅(2016);Summertime ’78,Kunsthalle São Paulo,聖保羅(2015);Nimm’s Mal Easy,Ausstellungsraum Klingental,巴塞爾(2015),Extra DRY,Peep Hole/DRY,米蘭(2014);Dizionario di Pittura,Galleria Francesca Minini,米蘭(2014);The Opposite of the Opposite Opposite of the Opposite,Gasconade,米蘭(2012)。

CV

Solo Shows
2019

Francesco João, Mendes Wood DM, Brussels, Belgium
2017 
Donkey Man, Mendes Wood DM, São Paulo, Brazil
2016
Everything Tend to Ascend. Or Not., Pivô, São Paulo, Brazil
2015
Summertime ’78, Kunsthalle Sao Paulo, São Paulo, Brazil
2014
Extra DRY, Peep Hole, Milan, Italy
2013
Studiolo#8, Cabinet, Milan, Italy  
2012
The Opposite of the Opposite Opposite of the Opposite, Gasconade, Milan, Italy
2011
Il Quarto Passo with Dario Guccio, Grand Hotel et de Milan / Spazio Oberdan, Milan, Italy

Group Shows
2018

Knife in the flesh - Contemporary Brazilian Art, Pac - Padiglione d'Arte Contemporanea, Milan, Italy
2017
A Terceira Mão, Curated by Erika Verzutti, Galeria Fortes D’Aloia Gabriel, São Paulo, Brazil 
Neither. , Mendes Wood DM Brussels, Brussels, Belgium
2015
Outdoor I, Warm, São Paulo, Brazil
2015
Nimm’s Mal Easy, Ausstellungsraum Klingental, Basel, Switzerland
2014
Dizionario di Pittura, Galleria Francesca Minini, Milan, Italy
Art-O-Rama, Marseille, France
Summer Painting Show, Il Crepaccio, Milan, Italy
2013 
One Thousand Four Hundred and Sixty, Peep Hole, Milan, Italy
Gasconade 2013 Portfolios, Pastificio Cerere, Roma, Italy
Don’t Be a Ham!! (Christmas Party), by Ari Marcopoulos, Family Business, New York, USA
2012
Fuoriclasse, GAM Galleria d’Arte Moderna, Milan, Italy
2011 
Agenzia 200, UniCredit Studio, Milan / Trento, Italy
2010
Roaming Off-Cells, Museo dʼArte Contemporanea Villa Croce, Genua, Italy
2010
Gioberti1, MIlan, Italy 
Fuori Salone, Motel Lucie, Milan, Italy 
Crola. NoNo Wallpaper, Motel Lucie, Lucie Fontaine, Milan, Italy

Exhibitions
Francesco João 法蘭西斯科·喬
Neither.
Curated by Fernanda Brenner
Alessandro Carano, Francesco João Donkey Man
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